{"id":1714,"date":"2026-02-07T17:59:33","date_gmt":"2026-02-07T17:59:33","guid":{"rendered":"https:\/\/twentytwentyvision.eu?page_id=1714"},"modified":"2026-04-09T22:53:33","modified_gmt":"2026-04-09T22:53:33","slug":"about-us","status":"publish","type":"page","link":"https:\/\/twentytwentyvision.eu\/en\/about-us","title":{"rendered":"About us"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">TWENTY&nbsp;TWENTY&nbsp;VISION is a film production company based in Berlin, Germany. The principal and shareholder Thanassis&nbsp;Karathanos&nbsp;formed together with Uta&nbsp;Ganschow&nbsp;(\u2020 2021)&nbsp;the company in December 1998 as a vehicle for the production of feature film projects aimed at the national and international markets. Twenty&nbsp;Twenty&nbsp;Vision has continuously produced&nbsp;award winning&nbsp;feature films and documentaries.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Since its founding, Twenty&nbsp;Twenty&nbsp;Vision has produced more than 30 German and international movies such films as the Oscar nominated&nbsp;<strong>AJAMI&nbsp;<\/strong>(2009) by&nbsp;Yaron&nbsp;Shani &amp;&nbsp;Scandar&nbsp;Copti&nbsp;as well as Cannes competitors&nbsp;<strong>ELLE&nbsp;<\/strong>(2016) by Paul Verhoeven,&nbsp;<strong>MA LOUTE&nbsp;<\/strong>(2016) by Bruno Dumont and&nbsp;<strong>AN<\/strong>&nbsp;by Naomi Kawase which was the opener of Un Certain Regard in Cannes 2015. Other&nbsp;award winning&nbsp;film productions screened at prestigious festivals worldwide include Mahmoud Al&nbsp;Massad\u2019s&nbsp;<strong>BLESSED<\/strong><strong>BENEFIT&nbsp;<\/strong>and Rafi Pitt\u2019s&nbsp;<strong>THE HUNTER&nbsp;<\/strong>(2010) and&nbsp;<strong>SOY NERO&nbsp;<\/strong>(2016). The company\u2019s latest productions include the Oscar nominated&nbsp;<strong>THE MAN WHO SOLD HIS SKIN&nbsp;<\/strong>(2020) by&nbsp;Kaouther&nbsp;Ben Hania, which premiered at Venice IFF,&nbsp;<strong>THE GRAVEDIGGER\u2019S WIFE&nbsp;<\/strong>(2021) by Khadar&nbsp;Ayderus(Cannes &#8211;&nbsp;Semaine&nbsp;de la Critique),&nbsp;<strong>MARIUPOLIS 2<\/strong>&nbsp;by Mantas&nbsp;Kvedaravicius&nbsp;and&nbsp;<strong>THE DAM<\/strong>&nbsp;by Ali Cherri, which both premiered in Cannes in 2022,&nbsp;<strong>FOUR DAUGHTERS<\/strong>&nbsp;by&nbsp;Kaouther&nbsp;Ben Hania, which had its premiere at the official competition in Cannes 2023 and is nominated for an Academy Award as Best Documentary and, most recently,&nbsp;<strong>ALL THAT&#8217;S LEFT OF YOU<\/strong>&nbsp;by&nbsp;Cherin&nbsp;Dabis, which premiered at the Sundance Film Festival&nbsp;2025. &nbsp;<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Team<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">CEO \/ Producer<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Thanassis Karathanos<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Producer \/ Line Producer<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Martin Hampel<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h4 class=\"wp-block-heading\">Production Coordinator<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Sabine Kaps<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Postproduction Supervisor<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Martin Kruse<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>TWENTY&nbsp;TWENTY&nbsp;VISION is a film production company based in Berlin, Germany. The principal and shareholder Thanassis&nbsp;Karathanos&nbsp;formed together with Uta&nbsp;Ganschow&nbsp;(\u2020 2021)&nbsp;the company in December 1998 as a vehicle for the production of feature film projects aimed at the national and international markets. Twenty&nbsp;Twenty&nbsp;Vision has continuously produced&nbsp;award winning&nbsp;feature films and documentaries. Since its founding, Twenty&nbsp;Twenty&nbsp;Vision has produced more [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1714","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/pages\/1714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/comments?post=1714"}],"version-history":[{"count":0,"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/pages\/1714\/revisions"}],"wp:attachment":[{"href":"https:\/\/twentytwentyvision.eu\/en\/wp-json\/wp\/v2\/media?parent=1714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}